Photo: BailinChaonan · Jin’ou, Liangying
Jin’ou Township Yingge Team
Jin’ou is in Liangying. The Baosheng Emperor is given a great rite every three years, and the team exists for that rite: seventy-two on stage, not one more.
At the rite the team circles round, one man leading in the centre. Photo: Bailin
Three dancers standing abreast in the street, a red plaque reading “High Promotion” behind them. Photo: Zoemonday
Face painting: the first stroke at the forehead, the design half done. Photo: BailinWhat Jin’ou has is the formation. Not the largest team, but the hardest movement: open out, close up, cut through, come round again.
Numbers and formations follow this township’s rules. Other teams can change theirs; here it does not move.
Four sticks, four formations
Photo: Taylor LZYNumbers
Seventy-two
Seventy-two dance, matching the seventy-two earthly spirits; one leader is added, plus several on gongs, drums and the team banner.
Photo: BailinLeader
A cloth snake
The leader plays Shi Qian, a black-and-white cloth snake in his hand, directing with a whistle. The snake swings and the team moves.
Four sticks, four formations
The four sticks set out the tiger coming down the mountain; then each appears in turn and the line changes to the assault formation. The source gives no positions, spacings or change-over beats.
Face, ground, lamp


Jin’ou’s team exists for the rite that comes every three years. While the rite stands, the team stands.
Snake, conch, Liangying



The first two were shot at a Chaoshan community parade in Hong Kong, China; the third is Liangying on the first day of the first lunar month, 2008, and is not Jin’ou. The snake and the conch can be compared; the team cannot be identified.
Seven notes
Jin’ou Yingge grew out of the township’s three-yearly rite to the Baosheng Emperor. It exists for the rite, not for competitions.
Seventy-two matching the seventy-two earthly spirits, plus one leader, plus several on gongs, drums and banners.
Li Kui leads, then Guan Sheng, Lu Zhishen and Wu Song. Number and character match, and the whole team is ordered by it.
One text records 107 in the Jin’ou team. It stands alongside the 72; the two are from different moments, so both are given and neither is cut.
Two dragons to sea, four tigers abreast, sweeping away a thousand troops, the eight-trigram plan.
Black and white, bending and stretching, with a whistle. The leader is the only man on the ground who does not follow the drum but his own whistle.
Chaonan was split off from Chaoyang in 2003. Jin’ou still dances the Chaoyang route.
Three things not yet settled
72 and 107. One is the establishment, the other what a witness saw; whether these are two moments of one team or two teams, the material does not say.
How the four formations move. Names only: no positions, no spacing, no change-over beats.
How the snake is made. Its length, its cloth, how it bends — nothing is recorded.
Look elsewhere
Sources
| Sources | Type |
|---|---|
| Yingge at home — “China’s war dance”Economic Evening News (Qiu Er), supplement; reprinted by a WeChat account2026-02 | Newspaper supplement |
| yinggeChina Intangible Cultural Heritage NetworkListed-project page; first batch, 2006 | National list entry |
| Images from the Jin’ou rite Bailin (Douyin)Quoted 2026-10 under permission; credited in captions | Image permission |
| Yingge images (Wikimedia Commons)Wikimedia Commons; photographers credited in captionsRetrieved 2026-10 | Openly licensed images |
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Last revised: 25 October 2026